Wow, this is lovely. Panasonic Note headphones packaged by Scholz & Friends.

Wish I’d thought of that…

…found via 2modern

I like this. It’s a business card for Japanese model kit manufacturer Tamiya by Creative Juice in Bangkok.

I think I’ve seen this idea a few times over the years, but not done as well as this, and it’s always been some graphic designer shoe-horning the idea into a project willy-nilly. This is the real deal, the perfect idea for the client. It’s won a gold Cannes Lion as well no less.

You can make things with it too:

I used to like making model kits like this when I was younger. In hindsight, the amazingly detailed exploded diagrams of the model construction process were one of the things which awakened my graphic design gene and set me on my chosen career path. They were possibly also responsible for my lack of a girlfriend for some considerable time…

…anyway, don’t worry about me – I’m married now so it all worked out fine.

The exploded digram thingy is also what’s behind these ads by the same company:

So, it wasn’t just me after all.

No, not the rubbish film, the video which shows the Batman logo changing over all its various incarnations.

This isn’t just a geeky indulgence, it seriously shows how much variation can still be found in something simple and essentially already ‘designed’, as well as the impact small changes can have on the character of a recognisable symbol:

Video found via Logo Design Love

Ben Casey of The Chase came in to work yesterday, and instead of the usual career synopsis, which most visitors choose to relate, he chose to talk about something “more interesting”, just one project. This was to be his work for Preston North End football club, a project which he described as “the perfect self initiated project”, encompassing design, art and football.

And I have to admit, at that point I was worried, not being a fanatical football lover, and having attended the talk in order to see some great ideas-driven graphic design from a company who have featured in D&AD every year for 23 years, I wasn’t sure I was up for a lot of football anecdotes and personal indulgences.

But I was too hasty, because Ben went on to tell us how his childhood love of Preston North End football club led from him redesigning their logo and stationery…

…to actually designing their STADIUM with no prior architectural knowledge…

“…it was just working on a grid system, similar to type really…”

If you let a graphic designer loose on a football stadium, then this is what you’re going to get:

Amazing. Seats as pixels. I have to say, that football or no football, this was right up my street, and exactly the sort of thing I struggled to inspire various meeting rooms of people with for England United. It was that sort of moment when you see something you wish you’d thought of first, except it was worse, because I had thought of it, and had it discarded.

Here’s his logo for The Great Room, the stadium’s hospitality suite:

Another shot dead on target. And what about a gift bag for the ajoining National Football Museum?

Bang. A hat-trick. The crowd go wild.

The talk predictably went into extra time. Despite there being only one project to discuss, Ben’s love for it shone through and that sort of dedication to the fabric of a brief always results in special things.

I can cope with seeing my Supporter typeface disappear from the D&AD judges’ table when lovely things like this survive the cull. Phonetikana by Johnson Banks is a take on the Japanese katakana phonetic alphabet, which actually shows English speakers how to say things. I guess it works in reverse too, helping Japanese people learn the roman alphabet. It’s not new, they did it a while ago, but it did just receive a D&AD nomination last week.

It’s great. I know that because I studied Japanese for two years (an endeavour cruelly crushed by the onset of habitual brand agency overtime) and always loved the phonetic alphabets hiragana and katakana. Japanese has complex symbols, abstract Kanji which are derived from the Chinese language and pretty impenetrable at times, but they also use two phonetic alphabets, mainly for foreign language words or elements of grammar.

It’s funny, because there aren’t all the same sounds in Japanese as there are in English, reading them out forces you to adopt a comedy Japanese accent.

These katakana characters often find their way into technological things, signs and brand names. When you see things like Uniqlo or Wagamama written out in the UK, these are the letters they’re using.

These Kana fascinated me while I was learning Japanese and I still get a kick out of the fact that I can actually read them in things like manga or imported videogames. The Kanji on the other had were an uphill struggle. I’ve always wanted to spend some real time in Japan to get under the skin of it all, but sadly, design is a very hard thing to get into there as a Westerner.

Johnson Banks have quite an interest in Japan, and seem to have made the leap into working over there. The identity they did for the Sendai Observatory was beautiful…

…and the UK-Japan logo feels in hindsight like the genesis of the phonetikana idea…

Lovely. Makes me want to restart my Japanese course again. While I love the idea of alternative alphabets, I did have to pass recently on the frankly terrifying prospect of developing an Arabic version of Supporter.

If you’re looking for a book on the Kana alphabets, I recommend Remembering the Kana which helped me a lot.

The shortlisted entries for the Metro Wrap design competition have been put up on the D&AD blog.

The brief was to take over the front outside and inside cover of commuter paper Metro for one day in April to give Londoners an inspiring and motivational message to start their day. It’s a great that the space usually reserved for desperately flogging a new mobile phone or deodorant is given over to something needlessly creative for a change.

The entry above which I really liked is by Clare McKenzie/Clare Theophane, Miranda Bolter, Freya Defoe & Steve Hickory of The Partners and requires readers of the paper to fill in their own news and doodle their own cartoons. Lovely.

I’m afraid most of the rest of the entries were a bit disappointing, many opting to print a rhetorical visual pun on the front cover instead of actually getting to grips with the brief itself and thinking about how to communicate with Londoners, let alone what to say to them. One of The Partners’ other entries (they dubiously have 5 out of 10 shortlisted) is a newspaper printed like an umbrella, to hold over your head in case it’s raining that April morning. Yawn.

One entry has the paper covered in knitting. Presumably because the designer, erm, likes knitting. Each to their own.

Another entrant has printed transport upholstery patterns on the cover, which I heartily approve of, but I’m not sure how thinking my false teeth have fallen out, or that I’ve dropped a quid is going to set me up motivationally for the day ahead. If you were stupid or partially sighted enough to fall for it, it seems to me that it would just make you anxious.

Anyway, all of this is most likely sour grapes, because you see, despite my previous emotionally scarring experience of a Metro design competition, I entered this one too and my entry didn’t make the grade. I’ll dig it out and share it with you once I find my false teeth. Now where did I put them…?