Well they say the iPad is the future of publishing, so it was only a matter of time before it colonised the past too. John Bonadies’s new project on Kickstarter aims to purchase a shedload of lovely old letterpress type to be digitised, and allow iPad users to make their own virtual letterpress compositions.

These can be used to generate images on the iPad itself for emailing and such, but the really interesting part is that it sounds like the system might eventually let you order an actual letterpress print of your design, and it is planned to hit other platforms such as the Mac soon afterwards.

They’ve got 25% of their $15,000 funding as I write this, and you can join in for as little as $1. Buying a guy on the internet a lovely letterpress collection is a bit like giving somebody else a load of money to go to Disneyland and send you the pictures, but they seem to have some nice open plans for sharing the type as a resource in the future, which hopefully means everyone will see some benefit.

Still, if I could persuade the internet to buy me a DeLorean that would be fantastic.

Letterpress is so specialist now that it has moved beyond the reach of most people who might be casually interested, or only modestly financed, so this is a nice way to open it up a bit. It could also be a great educational tool to teach classes about the history of type and let them get their virtual hands inky.

Head over to Kickstarter and donate some capital. Capital, geddit?

I’m a bit late posting this, but I went along to the Design Museum a couple of weeks ago, for the private view of Dalton Maag’s type installation entitled Shape My Language.

The centrepiece installation is a cascade of glyphs from typefaces, which gives you a real sense of the generosity of forms in typography, as well as their structural basis (and their Unicode number). Well, whatever it means, it’s lovely. It was there to announce the Ubuntu project, which is a very intriguing attempt to build an open source typeface containing every necessary character in the world, for the Ubuntu flavoured Linux operating system. If you don’t believe me, it said so on the wall:

And if any of that went over your head, you could still just play hunt-the-letter-r instead…

You can read more about it here, or go and see it at the Design Museum London.

If there’s something out there in the world which combines graphic design and Lego, I’m on it. Take a look at this, letterpress done with Lego, beautiful.

It’s the work of Justin LaRosa and Samuel Cox. I’m simultaneously amazed I haven’t seen this done before, and annoyed I didn’t think of it.

If you like what you see, you can buy prints here. Although I think I fancy having a go at it myself…

…brought to you via @espiekermann. Oh, and Happy New Year by the way, sorry I’ve been quiet recently…

No, not the rubbish film, the video which shows the Batman logo changing over all its various incarnations.

This isn’t just a geeky indulgence, it seriously shows how much variation can still be found in something simple and essentially already ‘designed’, as well as the impact small changes can have on the character of a recognisable symbol:

Video found via Logo Design Love

Ben Casey of The Chase came in to work yesterday, and instead of the usual career synopsis, which most visitors choose to relate, he chose to talk about something “more interesting”, just one project. This was to be his work for Preston North End football club, a project which he described as “the perfect self initiated project”, encompassing design, art and football.

And I have to admit, at that point I was worried, not being a fanatical football lover, and having attended the talk in order to see some great ideas-driven graphic design from a company who have featured in D&AD every year for 23 years, I wasn’t sure I was up for a lot of football anecdotes and personal indulgences.

But I was too hasty, because Ben went on to tell us how his childhood love of Preston North End football club led from him redesigning their logo and stationery…

…to actually designing their STADIUM with no prior architectural knowledge…

“…it was just working on a grid system, similar to type really…”

If you let a graphic designer loose on a football stadium, then this is what you’re going to get:

Amazing. Seats as pixels. I have to say, that football or no football, this was right up my street, and exactly the sort of thing I struggled to inspire various meeting rooms of people with for England United. It was that sort of moment when you see something you wish you’d thought of first, except it was worse, because I had thought of it, and had it discarded.

Here’s his logo for The Great Room, the stadium’s hospitality suite:

Another shot dead on target. And what about a gift bag for the ajoining National Football Museum?

Bang. A hat-trick. The crowd go wild.

The talk predictably went into extra time. Despite there being only one project to discuss, Ben’s love for it shone through and that sort of dedication to the fabric of a brief always results in special things.

I can cope with seeing my Supporter typeface disappear from the D&AD judges’ table when lovely things like this survive the cull. Phonetikana by Johnson Banks is a take on the Japanese katakana phonetic alphabet, which actually shows English speakers how to say things. I guess it works in reverse too, helping Japanese people learn the roman alphabet. It’s not new, they did it a while ago, but it did just receive a D&AD nomination last week.

It’s great. I know that because I studied Japanese for two years (an endeavour cruelly crushed by the onset of habitual brand agency overtime) and always loved the phonetic alphabets hiragana and katakana. Japanese has complex symbols, abstract Kanji which are derived from the Chinese language and pretty impenetrable at times, but they also use two phonetic alphabets, mainly for foreign language words or elements of grammar.

It’s funny, because there aren’t all the same sounds in Japanese as there are in English, reading them out forces you to adopt a comedy Japanese accent.

These katakana characters often find their way into technological things, signs and brand names. When you see things like Uniqlo or Wagamama written out in the UK, these are the letters they’re using.

These Kana fascinated me while I was learning Japanese and I still get a kick out of the fact that I can actually read them in things like manga or imported videogames. The Kanji on the other had were an uphill struggle. I’ve always wanted to spend some real time in Japan to get under the skin of it all, but sadly, design is a very hard thing to get into there as a Westerner.

Johnson Banks have quite an interest in Japan, and seem to have made the leap into working over there. The identity they did for the Sendai Observatory was beautiful…

…and the UK-Japan logo feels in hindsight like the genesis of the phonetikana idea…

Lovely. Makes me want to restart my Japanese course again. While I love the idea of alternative alphabets, I did have to pass recently on the frankly terrifying prospect of developing an Arabic version of Supporter.

If you’re looking for a book on the Kana alphabets, I recommend Remembering the Kana which helped me a lot.