I’m a bit late posting this, but I went along to the Design Museum a couple of weeks ago, for the private view of Dalton Maag’s type installation entitled Shape My Language.

The centrepiece installation is a cascade of glyphs from typefaces, which gives you a real sense of the generosity of forms in typography, as well as their structural basis (and their Unicode number). Well, whatever it means, it’s lovely. It was there to announce the Ubuntu project, which is a very intriguing attempt to build an open source typeface containing every necessary character in the world, for the Ubuntu flavoured Linux operating system. If you don’t believe me, it said so on the wall:

And if any of that went over your head, you could still just play hunt-the-letter-r instead…

You can read more about it here, or go and see it at the Design Museum London.

It’s no secret I’m a fan of Johnson Banks, so I won’t go on about their recent Science Museum identity apart from stating that obviously, I loved it. If you want to see more of it click here.

No, I’m writing this because I noticed something the other morning as I passed an advert in the tube station.

One of the things designers love to do is line things up. Whenever I get a new identity brief, I often size up the name of the company, looking for symmetries, interesting gaps between letters, double entendres etc etc. All very Smile in the Mind. Anyway, I digress. One thing I often do is work out it the letters will stack nicely, so I liked the fact that the new Science Museum logo does that.

4 letters, 6, or best of all, 9 letters are all a gift. Except that there are 13 letters in S C I E N C E M U S E U M, and my OCD gene means I know that’s a prime number, so it doesn’t work. And then I noticed, they’ve run the I and the E together on the first line. Clever buggers.

Normally that wouldn’t work at all, but it works so well I hadn’t even noticed it.

Ben Casey of The Chase came in to work yesterday, and instead of the usual career synopsis, which most visitors choose to relate, he chose to talk about something “more interesting”, just one project. This was to be his work for Preston North End football club, a project which he described as “the perfect self initiated project”, encompassing design, art and football.

And I have to admit, at that point I was worried, not being a fanatical football lover, and having attended the talk in order to see some great ideas-driven graphic design from a company who have featured in D&AD every year for 23 years, I wasn’t sure I was up for a lot of football anecdotes and personal indulgences.

But I was too hasty, because Ben went on to tell us how his childhood love of Preston North End football club led from him redesigning their logo and stationery…

…to actually designing their STADIUM with no prior architectural knowledge…

“…it was just working on a grid system, similar to type really…”

If you let a graphic designer loose on a football stadium, then this is what you’re going to get:

Amazing. Seats as pixels. I have to say, that football or no football, this was right up my street, and exactly the sort of thing I struggled to inspire various meeting rooms of people with for England United. It was that sort of moment when you see something you wish you’d thought of first, except it was worse, because I had thought of it, and had it discarded.

Here’s his logo for The Great Room, the stadium’s hospitality suite:

Another shot dead on target. And what about a gift bag for the ajoining National Football Museum?

Bang. A hat-trick. The crowd go wild.

The talk predictably went into extra time. Despite there being only one project to discuss, Ben’s love for it shone through and that sort of dedication to the fabric of a brief always results in special things.

A few of us from work went along to the Design Museum last night to watch Helvetica: The Movie.

www.helveticafilm.com